Classical Ed ‘Lite’

This weekend I was talking to some folks about the different levels of rigor that may be employed in a classical education. Some were adamant that there is a lot of new ‘fad’ curriculum out there that calls itself classical … Continue reading

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Preparing to Read the Great Books

Classical Writing’s recommended literature selections are now available on our website. But I have since received several emails about how to prepare for (as well as how to tackle) reading what we call “Great Books”. Well, let’s start by saying that every … Continue reading

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Using Older Literature in Classical Education

Among those educators who honestly strive hard to teach kids to write well, who believe in punctuation, spelling, syntactical, and logical correctness, there are two schools of thought: 1. The correctness school: People in this school tend to prefer modern … Continue reading

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To New Homeschoolers Part II

Reading and writing are the monarchs of learning. Classical education traditionally aimed at oral and written comprehension and expression. If you do not have command of your own language both to take in what others have expressed and to express … Continue reading

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To New Homeschoolers part I

What is a classical education? Can you buy it in a box? Can you find a simple three step formula on how to teach your kids classically? No. Why not? Because being educated classically is being educated to THINK, and … Continue reading

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Modern Minds vs. Minds of Antiquity

How do we think? …about ourselves, about our means of persuation, about what other people say and how they say it? We with our modern heritage think much about ‘self’, about how we come across, about “the real me”, and … Continue reading

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Learning to think

So often, new moms using Classical Writing will ask on our message boards whether their students really need to outline.

“My son already knows the story and can tell it from memory,” a mom will say. “Why bother with the outline?”

In the name of flexibility, we usually concede that it isn’t always necessary to outline. Many kids do have the story sequence memorized almost immediately.

But … we don’t outline to remember the story. We outline to *organize thought*. Why, you might ask, would we want to ‘organize’ the thoughts behind such a simple story as The Hare and the Tortoise?

We start with The Hare and the Tortoise because whenever we teach a new skill we work with material that is familiar to the student, material that is easy to comprehend. That way we can totally focus on the new task, which in this case is outlining.

The skill of outlining, in the early stages involves choosing the three or four most important words that encapsulate the essence of each sentence. It is important that the student learns to think about a sentence like

The Hare darted almost out of sight at once, but soon stopped and, to show his contempt for the Tortoise, lay down to have a nap.

and decide which are the most important words in that sentence …most important with regards to the content of the story, that is.

The story version we use is found here

A typical sentence-by-sentence outline for The Hare and the Tortoise would look something like this:

The Hare and the Tortoise

1. Hare, boasts, speed
2. Never beaten, challenge
3. Tortoise accepts
4. Joke says Hare
5. Keep boasting, Tortoise, race
6. Course fixed, start
7. Hare stopped, nap
8. Hare awoke, Tortoise, winning-post
9. Tortoise: plodding wins race

For most students this should be a cinch when it comes to a simple fable–and it should be, but as your student enters high school and college, he will get into difficult passages:

It is being, attained or perceived at the summit of an abstractive intellection, of an eidetic or intensive visualization which owes its purity and power of illumination only to the fact that the intellect, one day, was stirred to its depths and trans-illuminated by the impact of the act of existing apprehended in things, and because it was quickened to the point of receiving this act, or hearkening to it, within itself, in the intelligible and super-intelligible integrity of the tone particular to it.

~ Jacques Maritain

It is essential that he knows how to outline and extract the important words from the sentence to condense that passage down to a precis that says:

Being is understood when the intellect apprehends through the senses the existence through other things.

This is an extreme example of a very difficult passage, designed to underscore my point. It is difficult to outline or summarize a passage which one barely understands.

Merry Christmas,
Lene

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Books and Movies

Recently I began to dig into a book called Story. It is a handbook for writing screen plays for movies. No …I have no aspirations towards writing for the silver screen, but in preparation for Classical Writing – Shakespeare, I … Continue reading

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About the meaning of words

This weekend I was musing over the word ‘nature’. It struck me that ‘nature’ has to be one of the most abused/over-used/confusing words in the Western languages. When we talk about a person’s ‘nature’, we may mean the essence of … Continue reading

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How we write Classical Writing

A lot of people have asked us how we ‘think up’ our lessons and writing projects for Classical Writing. To say we follow the ancient Greek progymnasmata doesn’t ring a bell with most of you. And why should it? Progym… … Continue reading

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